Ordinary Time: November 22nd

MASS READINGS

November 22, 2021 (Readings on USCCB website)

COLLECT PRAYER

O God, who gladden us each year with the feast day of your handmaid Saint Cecilia, grant, we pray, that what has been devoutly handed down concerning her may offer us examples to imitate and proclaim the wonders worked in his servants by Christ your Son. Who lives and reigns with you in the unity of the Holy Spirit, God, for ever and ever.

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Recipes (5)

• Crown Cake
• Martyrs' Chiffon Dessert
• Musical Cake
• Pettole
• Cecilias

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Activities (4)

• Praying for the Dead and Gaining Indulgences During November
• Religion in the Home for Elementary School: November
• Religion in the Home for Preschool: November
• Nameday Ideas for the Feast of St. Cecilia, Virgin and Martyr

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Prayers (5)

• November Devotion: The Holy Souls in Purgatory
• Little Litany of the Holy Souls
• Prayer for a Happy Death
• Hymn in Honor of St. Cecilia
• Daily Acceptance of Death

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Library (6)

• Fitting Role of Sacred Music in the Holy Liturgy, The | Pope Saint John Paul II
• Intrepid, Even to the Shedding of His Blood | Cardinal Raymond L. Burke D.D., J.C.D.
• Popular Liturgical Song Is Bond of Unity | Pope Saint John Paul II
• Sacred Music Contributes to New Evangelization | Pope Benedict XVI
• Sacred Music Is Integral Part of Liturgy | Pope Saint John Paul II
• The Golden Legend: When Saints Were Saints | Sandra Miesel

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Blog & Podcasts (9)

• A serious take on popular music
• Cosmas, Damian and Saints of the Canon
• Episode 39—Composing Liturgical Music That’s Noble, Accessible... and Sacred—Paul Jernberg
• Episode 46—Sing With Your Children—Roundabout
• Episode 60—Princeton Hosts Event Dedicated To St. Cecilia
• Sacred Music and Religious Music, a Distinction
• St. Pius X: Restoring All Things in Christ
• The Sacred Music of Nicholas Wilton
• What about Bad Music?

» Enjoy our Liturgical Seasons series of e-books!

Today the Church celebrates the memorial of St. Cecilia, virgin and martyr. St. Cecilia is one of the most famous and most venerated of Roman martyrs. Her body was discovered in 822 and transferred to the title church that bears her name in Trastevere in Rome. It is difficult to determine the date at which she lived. The legend which recounts the Saint's martyrdom and that of her husband St. Valerian, as also of St. Tiburtius, her brother-in-law, places her martyrdom in the pontificate of Urban I (222-230); but the authenticity of this account cannot be established, nor can we be sure of the persons who suffered with her nor of the date of her martyrdom.

St. Cecilia
Cecilia was so highly venerated by the ancient Roman Church that her name was placed in the Canon of the Mass. Already in the fourth century there was a church of St. Cecilia in Trastevere, erected on the site where her home had stood. Her martyrdom probably occurred during the reign of Emperor Alexander Severus, about the year 230. In 1599 her grave was opened and her body found in a coffin of cypress wood. It lay incorrupt, as if she had just breathed forth her soul. Stephen Maderna, who often saw the body, chiseled a statue that resembled the body as closely as possible. Since the Middle Ages, Cecilia has been honored as patroness of Church music, a practice having its source in a false application of a passage from the Office (cantantibus organis).

Apart from the fact of her martyrdom, we know practically nothing about her that is historically genuine. Among other details the breviary offers the following:

Cecilia led a life of prayer and meditation and had vowed lifelong virginity, but a youth by the name of Valerian, relying upon the approval of her parents, hoped to marry her. When the wedding night arrived, she confided to Valerian, "There is a secret, Valerian, I wish to tell you. I have as a lover an angel of God who jealously guards my body." Valerian promised to believe in Christ if he would be enabled to see that angel. Cecilia explained how such was impossible without baptism, and Valerian consented to be baptized. After he was baptized by Pope Urban and had returned "He found Cecilia in her little room lost in prayer, and next to her the angel of the Lord was standing. When Valerian saw the angel, he was seized with great terror." The angel handed to them a bouquet of fiery red roses and snow-white lilies as a reward for Cecilia's love of chastity, a bouquet that would not wither, yet would be visible only to those who love chastity. As a further favor Valerian besought the conversion of his brother Tiburtius.

Upon arriving to congratulate the newlyweds, Tiburtius was astounded by the unspeakably beautiful roses and lilies. As soon as he was informed regarding their origin, he too asked for the waters of baptism. "St. Cecilia said to Tiburtius: Today I acknowledge you as a brother-in-law, because the love of God has made you despise the idols. Just as the love of God gave me your brother as a spouse, so it has given you to me as a brother in-law." When Almachius, the prefect, heard of the conversions, he ordered Maximus, his officer, to arrest and imprison all of them. Before being put to death, they instructed Maximus and his family, and baptized them during the night preceding execution.

At dawn Cecilia roused the two brothers to struggle heroically for Christ, as the glow of morning disappeared, Cecilia called: "Arise, soldiers of Christ, throw away the works of darkness and put on the armor of light." Cecilia pursued her victory as the soldiers willingly listened, "We believe that Christ is the true Son of God, who has chosen such a servant." Led before the prefect, she professed her faith in Christ, "We profess His holy Name and we will not deny Him."

In order to avoid further show, the prefect commanded her to be suffocated in the baths. She remained unharmed and prayed, "I thank You, Father of my Lord Jesus Christ, that through Your Son the fire was extinguished at my side." Beheading was next in order. The executioner made three attempts (the law prohibited more) and let her lie in her blood. She lived for three days, encouraging the poor and dedicating her home into a church.

—Excerpted from The Church's Year of Grace, Pius Parsch

Patron: Albi, France; composers; martyrs; music; musicians; musical instrument makers; archdiocese of Omaha, Nebraska; poets; singers.

Symbols: Holding a lute; playing the organ; holding roses.

Things to Do:

• Read and discuss the Church documents on music and liturgy. Read the Fitting Role of Sacred Music in the Liturgy by John Paul II.

• If you are a parent spend some time thinking about how you can teach your children to practice the virtue of fortitude — read this article, Educating in Virtue, by James Stenson which offers some excellent advice.

• St. Cecilia's body was found to be incorrupt in the Catacombs of Saint Callistus. Her body was later moved to St Cecilia in Trastevere. See Crypt of St. Cecilia for some more information on the catacombs. Every year there is a festival, Festa di Santa Cecilia on her feast day at Santa Cecilia in Trastevere and Catacombs of San Callisto.

• Read the account from The Golden Legend by Jacob Voragine about the life and death of St. Cecilia to your children.

• One legend of St. Cecilia tells of "pipes" played at her wedding. Although these pipes were probably the bagpipes common throughout Europe, ancient translations rendered the word "organ pipes." Consequently, St. Cecilia has often been portrayed near a pipe organ. Another legend calls her "the inventor of the organ," while another says an angel fell in love with her because of her musical skill. This heavenly visitant gave both her and her husband a crown of martyrdom, brought from heaven. With such ample fable and long-standing tradition, she is considered the patron of music and musicians. Since St. Cecilia is the patron of music (her music was the outpouring of a heart filled with love for God), have a family night of singing or playing instruments, or if you are not graced with musical talent, listen to some of the beautiful traditions the Church has in Her sacred music, such as Gregorian Chant and Polyphony.

• Adoremus has a collection of the most important church music documents. Although these documents cover over a century, all of the recent documents on the liturgy and music pull from these original documents. Very little has changed in the directives on music, even with Vatican II.

• For more reading on sacred music, see Adoremus Bulletin on Music, March 206 and May 2017.

• See Catholic Cuisine for some musical ideas for food celebration.