By Diogenes (articles ) | Mar 26, 2004
Is Gibson's Passion a kind of Rorschach Ink Blot for our time, whose interpretation tells more about the viewer than the viewed? Check out Uri Klein's interesting take in Tel Aviv's Haaretz, and altar boy Joe Queenan's pieties in the U.K. Guardian (thanks to Pat Sweeney for the latter).
An appeal from our founder, Dr. Jeffrey Mirus:
Dear reader: If you found the information on this page helpful in your pursuit of a better Catholic life, please support our work with a donation. Your donation will help us reach seven million Truth-seeking readers worldwide this year. Thank you!
Our Fall Campaign
Progress toward our year-end goal ($64,239 to go):
All comments are moderated. To lighten our editing burden, only current donors are allowed to Sound Off. If you are a donor, log in to see the comment form; otherwise please support our work, and Sound Off!
Posted by: Jdarc -
Apr. 01, 2004 6:50 AM ET USA
With Catholics like Joe Queenan, who needs enemies? The violence of this film did not touch me - having been raised on a farm that butchered animals, I've seen blood. I don't see "the man", I see "the Lamb."
Posted by: -
Mar. 29, 2004 3:26 PM ET USA
The Ha aretz article very worth reading. Thanks !
Posted by: Stonewall -
Mar. 27, 2004 7:56 PM ET USA
Anne Catherine Emmerich was born in Flamschen (near Coesfeld), Westphalia. Her family lived a very humble life (dirt poor). She had 4 months of schooling. She eventually entered a convent in Dulmen. Klemens Brentano wrote down her visions shortly before she died. Venerable Anna never left Westphalia and it is doubtful that she ever saw a Jew.